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2026

Current & Upcoming 

Calendar Event - Colour - March 31 2026 AlternativePhotographyonline

Colour

 As many alternative photographic processes are traditionally monochrome, this theme invites artists to explore ways of introducing colour into their work, such as toning, hand colouring, layering prints, using duo- or tri-tones, or developing new approaches. After the event, a Calendar – and possibly a Journal and Book – will be produced featuring the selected winners.

Noted

When I first started thinking about the theme “colour” and “colouring”, I thought maybe it would be interesting to ”reverse the challenge” and apply alternative process to something that is already colourful: to paint with photography rather with colours. I’ve chosen the most mundane and everyday colourful object, adhesive notepad, which on itself is not meant to be permanent or valuable, yet serve committing to memory something important. Cyanotype for me is the most versatile of all alternative processes, something you can “paint” almost any object with, and create a new relationship between photography and its substrate. My image “Noted” is a play on pops of colour in the everyday, bringing an almost PopArt quality to the portrait, yet reducing it the realm of short-term memory, along with shopping lists and small reminders.

Past

reFRESH - January 7 - 18 2026 Gallery 1313Toronto

reFRESH 

No particular theme. Looking for new contemporary works in a variety of media to start the new year. Curated by Phil  Anderson

MangaLife

"MangaLife” project started three years ago as a very personal and private visual journal, mostly prompted by therapy session and emotional turmoil. I never anticipated it to be seen by the public, and yet, have had intended to turn it into books. The medium of line drawings (and rubber stamps) is something I’ve enjoyed, but never perfected, manga and comic books is something I’ve never grown up with, but always admired, so I’ve ventured into an unfamiliar but enticing territory for me. I wanted to make something that is personal, and yet completely outside of me – flimsy and vulnerable, exposed and interactive. All the scanned pages can be found here

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